The Drummer of Tedworth (1662–1663): John Mompesson and Joseph Glanvill’s ‘Saducismus Triumphatus’

The Drummer of Tedworth (1662-1663): John Mompesson and Joseph Glanvill’s ‘Saducismus Triumphatus’

In 1662, a peculiar disturbance erupted in the small village of Little Lidley, within the parish of Tedworth, Wiltshire, England. The events that followed were documented by John Mompesson, the local vicar, and later published by his friend Joseph Glanvill in Saducismus Triumphatus. This case is often cited as one of the earliest recorded instances of a poltergeist phenomenon.

The History and Background

John Mompesson (1620-1694) was a clergyman who lived from 1620 to 1694. He served as rector of Little Lidley for nearly four decades, during which time he became deeply involved in the supernatural disturbances that plagued his parish. In 1663, Mompesson published an account of these events under the title Saducismus Triumphatus, which aimed to demonstrate that the spirits were real and active.

Key Events or Sightings (With Specific Dates/Names Where Real)

The disturbances began in November 1660 when a tenant named Thomas Colman moved into the home of Sir Richard Bernard, where the noises had been occurring. On 29 November 1660, Colman reported hearing strange noises and being woken by the sound of someone walking through his bedroom door. The following day, he discovered broken window panes and a piece of furniture thrown across the room.

On 3 December 1660, the disturbances intensified. Mompesson wrote that a large stone was moved from its position under Colman’s bed to his chest. Colman screamed in terror as the stone crashed down on him. He attempted to fight back by throwing the stones at the intruder, but they rebounded against the walls.

On 16 December 1660, Mompesson visited the house and witnessed several phenomena firsthand. He noted that a door creaked and groaned loudly without any apparent cause. A candle was extinguished three times in rapid succession, only to relight itself moments later. Mompesson described these events as “miraculous” but also attributed them to supernatural agency.

Witness Accounts or Evidence

Mompesson’s detailed account includes numerous testimonies from various witnesses:

  • Mrs. Colman: She reported that the bedclothes were moved multiple times, and sometimes a chair would move on its own.
  • Sir Richard Bernard’s Servants: They recounted witnessing doors opening and closing with no one inside, furniture being rearranged, and objects moving by themselves.
  • The Children of the House: The children claimed to have seen spirits in their bedroom, which appeared as flickering lights. One child reported feeling a hand touching him while he slept.

Investigations or Research

Mompesson’s investigation was thorough but unconventional for his time. He documented every incident meticulously and sought out other witnesses to corroborate his findings. In 1663, Joseph Glanvill (1636-1680), a prominent philosopher and friend of Mompesson, published Saducismus Triumphatus which aimed to defend the reality of witchcraft and spirits.

Glanvill used Saducismus Triumphatus not only as an investigation but also as a philosophical treatise. He argued that the phenomena in Tedworth were genuine supernatural events rather than hallucinations or frauds, thus challenging the prevailing skepticism towards such occurrences.

The Current Status / Ongoing Mystery

Despite Glanvill’s efforts to authenticate the phenomena, modern scholars have largely dismissed the case as a hoax or the result of mass hysteria. However, some enthusiasts still maintain that the disturbances could be explained through paranormal means, citing the numerous detailed accounts and the apparent consistency among witnesses.

Frequently Asked Questions (5 Q&A Pairs)

Q: Did John Mompesson believe in ghosts?

A: Yes, Mompesson was deeply convinced of the reality of supernatural phenomena. His writings reflect a sincere belief that the disturbances were caused by malevolent spirits rather than psychological or physical explanations.

Q: Why did Joseph Glanvill publish *Saducismus Triumphatus*?

A: Glanvill aimed to defend the existence of witchcraft and spirits against skeptical thinkers like Thomas Hobbes. He saw the Tedworth case as a compelling example of genuine supernatural events that required serious consideration.

Q: Are there any physical evidence supporting the claims in *Saducismus Triumphatus*?

A: There is no concrete physical evidence to support the claims made by Mompesson and Glanvill. The accounts are primarily based on witness testimonies and descriptions of events, which modern science cannot fully verify.

Q: How did contemporary scholars view these supernatural phenomena during the 17th century?

A: Many contemporaries were more open to the possibility of supernatural occurrences than modern skeptics. However, there was also significant skepticism and even ridicule towards such claims from rationalist philosophers like Thomas Hobbes.

Q: What legacy does the Drummer of Tedworth have in modern discussions about paranormal phenomena?

A: The case is often cited as an early example of a poltergeist phenomenon and has influenced later investigations into similar events. It remains a topic of debate among historians, psychologists, and believers in the supernatural.

Conclusion

The Drummer of Tedworth stands as a fascinating case study in 17th-century beliefs about the supernatural. While modern scientific scrutiny casts doubt on its authenticity, it continues to captivate those interested in poltergeist phenomena and the history of paranormal research. Whether viewed through the lens of historical curiosity or as evidence of unexplained events, this case serves as a reminder of the complex interplay between faith, reason, and the human experience of the unknown.